成員 - 術圓方

洛子

會員

23 5 月, 2007 在 2:50 上午 in reply to: 洛子壇主的論文

隨著一聲新年到，『喜神大帝』看顧您了，
你獲得了『喜神大帝』贈送現金3073個美元。

謝謝老平壇主及各位友好鼓勵,
現把論文摘要提供如下:

[size=16pt][font=Times New Roman][align=center][font=新細明體][size=18pt]中國上古科技文明來源－　[/size][/font][font=新細明體][size=14pt]律為萬事根本[/size][/font][size=18pt][/size][/align][size=16pt]THE ULTIMATE ORIGIN OF SCIENTIFIC AND TECHNOLOGICAL CIVILIZATION OF ANCIENT CHINA – [/size]
[size=16pt]“LU XUE” IS THE ESSENCE OF ALL.[/size]
[align=center]Roman M.K.Fu , [/align][align=center][/align][align=center][size=14pt]ABSTRACT:[/size][/align]
Astonishingly similar are the roads on the exploration of the ultimate source of science study for both China and the Western world. Thales, the acclaimed father of Greek philosopher (c. 625 – c. 546 BC) advocated all matters come from water and return to water. The focus of Thales’ study on matters has signified the birth of scientific thinking. The mythical understanding of the cosmos by Ancient Greek can easily correlate to the thinking of Lao Zi ([font=新細明體]老子[/font]) of China on water. And Daoist emphasized the cosmic concept of “Tai Yi Sheng Shui” ([font=新細明體]太一生水[/font]) ! The viewpoint is similar to what was emphasized on the part of “water” and “earth” of the <>.

Until Pythagoras (c. 582 – c.500 BC) who has started from the perspective of arithmetics to determine that number is the ultimate source of all fraction, order, and harmony. He was inspired by the string length ratio on string instrument which sound is harmonious and pleasant when the length ratio are simple whole number. He therefore defined the world renowned “Pythagoras rule of sound” when he found the sound travel are 8, 5 and 4 degrees when the string length ratio on the fixed length string are 2:1, 3:2 and 4:3 respectively. And he strongly believed (All is whole number and harmony). By going through the harmony of cosmic music and the truth of perpetual cosmos, the exploration of the boundless cosmos by utilization of music has been continuing from Pythagoras to Aristotle, Newton, and String theorist of today although it might face to paradoxical controversy.

For this point, it does coincide with the way of Ancient Chinese on using musical theory to explore the “yuan qi or vital breath” ([font=新細明體]元氣[/font]) of the cosmos. It has been found the “Wu Yin Lu Lu” ([font=新細明體]五音六律[/font]) is almost directly related with the observatory calendar study, politics, geography etc as we learn the Qin dynasty literal record like: <<,Guan Zi>>, <
>, <>, <> etc of the same period. From which we can see that the “Yin Lu Xue” has already been widely applied to different spheres instead of at its preliminary research stage. The “Yin Lu Xue ([font=新細明體]音律學[/font])” has faintly embraced a gigantic and sophisticated science system with far reaching and in-depth influence which is beyond the understanding of people living in the modern world.

“Lu Xue” is a very unique subject of study. It is a scientific theory invented in the ancient China. According to <> of Shi Ma Qian ([font=新細明體]司馬遷[/font]), “The ruler legislates the law, setting standard of measurement, all inclusive in “Lu Lu ([font=新細明體]律呂[/font])” and “Lu Lu” is the root for all”. Despite the fact that it is not easy to understand from his statement of Lu Xue is the root of all matter, it is not overtly exaggerated to use the source of ancient civilization for the nomenclature of this topic if we could appreciate the detail of “Lu Shu”. I have found except the “LU THEORY” it has rarely delved into the detail of questions like melody of musical study and calibration of musical instrument such as string instrument. On the contrary, it has concentrated more on the explanation of “Gan Zi”(干支), observatory study, calendar calculation, unit of measurement etc. It is not hard to find out the “Yin Yang Wu Xing” ([font=新細明體]陰陽五行[/font]) has exerted the backbone effect. Perhaps we can find out the reason why “Lu Xue ([font=新細明體]律學[/font]) ” is the root of everything from the viewpoint of the relationship between Lu Xue and Yin Yang Wu Xing. As according to those numerous studies at Qin dynasty, the concept of “Yin Yang Wu Xing” was mostly identified as the root on constructing all things which is also the motive of my writing of this dissertation. Especially the statement “Lu Yi Kuai Du” ([font=新細明體]律以揆度[/font]) Measurement by means of musical theory), this dissertation will focus on investigating our ancestral intellectuals in the period of Qin, Han dynasties and before on how to use “Lu Xue” to measure the sky, the relationship between “Lu Xue” and “Yin Yang Wu Xing” and the explanation on those relevant inventions. Content as below:

1. BRIEF INTRODUCTION OF LU- CALENDAR([font=新細明體]律曆學概論[/font])
[font=新細明體]2. YIN YANG AND FIVE ELEMENTS [/font][font=新細明體]([/font][font=新細明體]陰陽五行)[/font]
3. THE SCIENTIFC CONNOTATION OF I-CHING – SOLAR AND LUNAR MOTION ([font=新細明體]易經科學內涵[/font] – [font=新細明體]天地日月運動[/font])
4. THE CONNOTATION OF RIVER MAP ([font=新細明體]河圖的內涵[/font])
5. MAGIC SQUARE AND NINE HEAVENS , EIGHT WINDS [font=新細明體]洛書與九宮八風[/font]
6. CONCLUSION
[font=新細明體][/font]
[font=新細明體][size=12pt]在探索科學源頭的道路上[/size][/font][size=12pt][font=Arial], [/font][/size][font=新細明體][size=12pt]中國和西方許多驚人的相似[/size][/font][size=12pt][font=Arial], [/font][/size][font=新細明體][size=12pt]例如[/size][/font][font=新細明體][size=12pt]被譽為希臘哲學的始祖泰勒斯[/size][/font][size=12pt][font=Arial](Thales)(c. 625 -c. 546 BC)[/font][/size][font=新細明體][size=12pt]，認為一切萬物皆源自水，最後也歸於水。，[/size][/font][font=新細明體][size=12pt]由於[/size][/font][font=新細明體][size=12pt]泰勒斯專注在物質的[/size][/font][font=新細明體][size=12pt]根[/size][/font][font=新細明體][size=12pt]本[/size][/font][size=12pt][font=Arial], [/font][/size][font=新細明體][size=12pt]標誌著科學思想的誕生。在[/size][/font][font=新細明體][size=12pt]希臘古代[/size][/font][font=新細明體][size=12pt]，人們對於宇宙的理解[/size][/font][font=新細明體][size=12pt]總是[/size][/font][font=新細明體][size=12pt]神話式的[/size][/font][size=12pt][font=Arial], [/font][/size][font=新細明體][size=12pt]這觀點很容易使人想到了中國的老子對水的看法[/size][/font][size=12pt][font=Arial], [/font][/size][font=新細明體][size=12pt]和[/size][/font][size=12pt][font=Arial] [/font][/size][font=新細明體][size=12pt]道家所重視[/size][/font][font=新細明體][size=10pt]「[/size][/font][font=新細明體][size=12pt]太一生水[/size][/font][font=新細明體][size=10pt]」[/size][/font][font=新細明體][size=12pt]宇宙觀念[/size][/font][size=12pt][font=Arial]! [/font][/size][font=新細明體][size=12pt]這種看法即為[/size][/font][size=12pt][font=Arial]<<[/font][/size][font=新細明體][size=12pt]管子[/size][/font][size=12pt][font=Arial]. [/font][/size][font=新細明體][size=12pt]水地篇[/size][/font][size=12pt][font=Arial]>>[/font][/size][font=新細明體][size=12pt]所重點提出[/size][/font][size=12pt][font=Arial] [/font][/size][font=新細明體][size=10pt]「[/size][/font][font=新細明體][size=12pt]水[/size][/font][font=新細明體][size=10pt]」[/size][/font][font=新細明體][size=12pt]和[/size][/font][size=12pt][font=Arial] [/font][/size][font=新細明體][size=10pt]「[/size][/font][font=新細明體][size=12pt]地[/size][/font][font=新細明體][size=10pt]」[/size][/font][font=新細明體][size=12pt]的一部分。[/size][/font][size=12pt][/size][font=新細明體]到了[/font][color=black][font=新細明體]畢達哥拉斯[/font] [/color](Pythagoras)(c. 582 -c. 500 BC)[font=新細明體][size=13pt]他從這算術觀點出發，他們認定數字是所有分數、秩序和宇宙和諧的本源。他又從[/size][/font][font=新細明體]弦琴的弦長比例得到靈感，發現弦長成簡單整數比的時候發出的音會是和諧悅耳的，他發現在固定張力的弦長比例是２：１、３：２、４：３的時候，其音程分別是八度、五度、四度，由此他定義出舉世聞名的「畢氏音律」，因此他堅信「萬物皆整數與和諧（[/font]All is whole number and harmony.[font=新細明體]）」。並通過「宇宙的音樂」[/font](cosmic music)[font=新細明體]的和諧性[/font],[font=新細明體]宇宙的永恒真理[/font], [font=新細明體]由[/font][color=black][font=新細明體]畢達哥拉斯[/font], [/color][font=新細明體]到[/font] [color=black][font=新細明體]亞里士多德[/font][/color] (Aristotle), [font=新細明體]牛頓[/font](Newton) [font=新細明體]到今天的弦理論學者[/font], [font=新細明體]這種利用音樂去探索無限宇宙的方式[/font]: [font=新細明體]「[/font][font=新細明體]弦」理論到[/font] “[font=新細明體]超弦理論[/font]” [font=新細明體]科學家的於這方面努力仍然一直在延續著[/font], [font=新細明體]縱然面對可能成為悖論[/font], [font=新細明體]卻從來沒有停頓過[/font]!

[font=標楷體][/font][font=新細明體]這點和中國古代先賢利用音樂原理探索宇宙元氣的方式完全一致, 在同時期的先秦文獻中, 例如 <<管子>>, <<禮記>>, <<呂氏春秋>>, <<周禮>>等等, 都發現 [/font][font=新細明體]「[/font][font=新細明體]五音六律[/font][font=新細明體]」[/font][font=新細明體]幾乎都和天文曆法, 政治, 地理… 等等各方面有著直接的聯繫。可見音律學在當時並非在研究初步階段, 而是已經被應用於各個領域上, 隱隱覺得音律學夾雜著一個龐大而成熟的科學系統之中, 其影響既深且遠, 遠遠非現代人所以理解。[/font]
[font=標楷體][/font]
[font=標楷體]參考書:[/font]
[font=標楷體][size=10pt]THE MUSIC OF THE SPHERE JAMIE JAMES SPRINGER-VERLAG NEW YORK,INC[/size][/font]E. J. Borowski及J. M. Borwein著，《數學辭典》，貓頭鷹出版社，台灣，1999[align=center][/align][font=新細明體]律學是一門非常獨特的學科[/font], [font=新細明體]它是我國於上古時發明和茁壯的一套科學理論[/font], [font=新細明體]按照司馬遷[/font]<<[font=新細明體]史記律書[/font]>>[font=新細明體]所講[/font], [font=新細明體][size=10pt]「[/size][/font][font=新細明體]王者制事立法，物度軌則，壹稟於六律[/font][font=新細明體][size=9pt]，[/size][/font][font=新細明體]六律為萬事根本焉[/font][font=新細明體][size=10pt]」[/size][/font][font=新細明體]他認為律學是萬事萬物的根本[/font][font=新細明體]。 [/font][font=新細明體]光從這一句話看常常使人感到莫名其妙[/font], [font=新細明體]加上本文標題以[/font] “[font=新細明體]上古文明來源[/font]” [font=新細明體]來命名似乎非常誇張[/font], [font=新細明體]但只要細看[/font]<<[font=新細明體]律書[/font]>>[font=新細明體]內容[/font], [font=新細明體]我發現他除了音律生律外[/font], [font=新細明體]甚少談及音樂學中的曲調[/font], [font=新細明體]和樂器如管弦校正等的細節問題[/font]; [font=新細明體]反而把主要的篇幅去闡明[/font][font=新細明體]干支[/font],[font=新細明體]天文[/font], [font=新細明體]曆法[/font], [font=新細明體]度量衡制度等等[/font]..[font=新細明體]而整套理論中不難發現陰陽五行起着主幹的作用[/font][font=新細明體]。[/font][font=新細明體]如從律學與陰陽五行的關係上看[/font], [font=新細明體]或者我們可以明白律學何以是萬事萬物的根本[/font] , [font=新細明體]因為從大量先秦諸家著作中[/font], [font=新細明體]陰陽五行思想幾乎都被認為是能構築天地萬物的根本[/font], [font=新細明體]這點可以作為引申本文的寫作動機[/font], [font=新細明體]特別是那一句話[/font] “ [font=新細明體]律以揆度[/font]” [font=新細明體]本文將集中於探討秦漢或以前[/font], [font=新細明體]先賢是如何用律學測量天度[/font], [font=新細明體]以及律學和陰陽五行有何關係[/font], [font=新細明體]和相關的種種發明進行初步闡述[/font], [font=新細明體]玆將目錄提供如下[/font]:

1. [font=新細明體]律曆學概論[/font]
[font=新細明體]2. 陰陽五行[/font]
3. [font=新細明體]易經科學內涵[/font] – [font=新細明體]天地日月運動[/font]
4. [font=新細明體]河圖的內涵[/font]
5. [font=新細明體]九宮八風[/font]
6. [font=新細明體]結論[/font]

[font=新細明體]或許通過本文中許多種種發現[/font], [font=新細明體]希望讀者們可以重新認識先秦律曆學[/font], [font=新細明體]更客觀地認識陰陽五行體系的科學性[/font], [font=新細明體]從而獲得一些靈感。[/font] [font=新細明體]特別是建基於陰陽五行的中醫學[/font], [font=新細明體]長久以來由於理論源頭不明下[/font], [font=新細明體]以至發展困難重重[/font], [font=新細明體]所以對源頭的了解比任何學科更迫切[/font]!
[/font][/size]

其他內容有待日後公佈! :pig8:

洛子

會員

17 2 月, 2007 在 4:00 下午 in reply to: 恭賀新禧

[size=13px]恭賀諸位豬年萬事如意! 大展宏圖 ! 鴻運當頭!家肥屋潤!:財神: :財神::財神: :財神::pig7: :pig7: [/size]

洛子

會員

17 2 月, 2007 在 3:57 下午 in reply to: 新年到…祥獅獻瑞

恭賀諸位豬年萬事如意! 大展宏圖 ! 鴻運當頭!家肥屋潤! :pig7: :pig7: :財神:

洛子

會員

14 8 月, 2005 在 11:43 上午 in reply to: 免費從衛星看地形

示範一次
這地方是網友其中一案例!
https://forum.shusquare.com/non-cgi/usrRMnOEMvH8/8/48/qingyuan_1123990939.jpg

洛子

會員

14 8 月, 2005 在 11:35 上午 in reply to: 免費從衛星看地形

洛子贈與風格轉換1234 10000 美元以示鼓勵

下面引用由風格轉換1234在 2005/08/14 01:30am 發表的內容：
記得要先下載軟體..
要用 mouse 中間 buttom – Zoom-in and Zoom-Out
http://earth.google.com/
em001:

:em22: :em22:
感謝!

愚試用過多時, 感覺良好!
以後尋龍點穴, 可以突破邊界, 穿越國界易如反掌! 可是有些地方比較起空照圖或普通照片仍然有不足之處, 例如尖峰不尖,特別是平面照片在傾斜後看山巒層次和實際不同; 看建築物時如巴黎鐵塔在傾斜後便會變形; 還有照片上並沒有時間性和季節性, 有些圖片是滯後的, 例如一些工程已經完畢了, 地面外貌已經不一樣, 結果這地圖上卻仍然如昔, 這都是不足之處。
畢竟是免費的服務, 能滿足部份玩巒頭山法的已經非常難得!
淺見!

洛子

會員

14 8 月, 2005 在 11:20 上午 in reply to: 宋礼部尚书王大宝墓—–沉江月

洛子贈與易山人 30000 美元以示鼓勵
再次感謝易山人的無私分享!
好陰宅個案得來不易, 更有易山人君圖文並茂, 這是網友同好之福!

洛子

會員

2 8 月, 2005 在 12:03 下午 in reply to: 開平梁金山頂之眠犬望月並非出明朝相國梁儲

下面引用由假即是真在 2005/08/02 11:29am 發表的內容：
相距百多年出人有何不行？国父的祖坟多久才出国父？

道理上應該沒有問題! 關鍵是後人對該墓穴的保養要好, 否則老樹盤根其上, 不敗也怪!
而龍穴並非人類專用, 人不在的時候, 飛潛動植都會跑到該處, 日久失修則被此等外物所占,而恢復自然; 穴主變了, 所蔭亦非
淺見! :em02:

洛子

會員

2 8 月, 2005 在 11:55 上午 in reply to: 宋龙图阁大学士刘昉祖父墓—潮州欹头凤

洛子贈與易山人 10000 美元以示鼓勵
易山人兄, 辛苦啦 :em22: :em22:

感到可惜!

洛子

會員

2 8 月, 2005 在 11:51 上午 in reply to: 何謂”羅星”與”北辰”

下面引用由笑到彎腰在 2005/07/27 08:23pm 發表的內容：
(www.fengshui-chinese.com/cgi-bin/attachment.cgi?forum=8&topic=340&postno=17&name=IMGP2001out_1122397029&type=.jpg)
叫做玉印好像高貴些!

下面引用由felicity在 2005/08/01 11:38am 發表的內容：
(www.fengshui-chinese.com/cgi-bin/attachment.cgi?forum=8&topic=340&postno=16&name=B8VACPout_1122396414&type=.jpg)
小弟查了一下書中古例, 這有點像 “海蝦戲珠” , 洛壇主, 請　…

叫甚麼都無所謂, 關鍵是其在水口之作用
不是海蝦, 可能是在山上的淡水蝦 :em02: :em11: